Hard Kasey
by Katrina Lobley
October 27, 2006
Australia's biggest country-music star, Kasey Chambers, isn't exactly shy. But she had a heap of trouble asking fellow singer-songwriter Bernard Fanning to record a duet with her on her fourth album, Carnival.
"He's a really nice guy but I was kind of worried about asking him because he is such a nice guy," says the 30-year-old, who has sold more than a million records since making her solo debut in 1999. Chambers is nominated for an ARIA this year for best female artist, while Fanning is nominated for best male artist.
"I didn't want him to feel like he couldn't say no. I would hate for him to go, while he's doing the singing, 'Oh, I hate this song but, you know ...'
"So I sent him this text message - how lame is that! - saying, 'It's Kasey here. I've got this song and it's on my record that I'm making at the moment. Would love to see what you think and if you'd like to do the harmony or a duet-y thing.'
"I said, 'Don't answer now. Just let me send you the song. You might be busy or on the road.' I gave him every out I possibly could. I just didn't want him to be guilted into it.
"A few days later he called and when his name came up on my phone I'm like, 'Oh ... all right.' I answered the phone and he didn't even say hello. He just said, 'I f---ing love it!' It honestly turned out better than I even hoped."
Fanning's silky vocals transformed the song Hard Road so much that even Chambers's biggest fan, her father, Bill, no longer recognised it.
"I sent him the album after Bernard was on it. He listened to it and rang me up straightaway and said, 'My God, I just heard the song with Bernard on it. Why didn't you play me that song before?' I said, 'I did - I played that to you in the studio.' He still swears to this day that I haven't played him that song before."
Chambers wanted to "step outside my comfort zone" with Carnival, which mixes the country sounds that made her famous with more mainstream rock and pop notes. Her older brother, Carnival producer Nash, encouraged the experimentation.
"Nash and I sat there and said, 'Let's get some different musos - people we, God forbid, aren't related to,' " Chambers says.
Cue Midnight Oil songwriter-guitarist Jim Moginie on keys and guitars and Michael Barker of the John Butler Trio on drums. Carnival also contains another surprising duet - with the hard man of rock, Tim Rogers. Their collaboration, I Got You Now, builds to a screaming climax that almost leaves listeners gasping for air. How did she think of working with Rogers?
"As I'm writing [the song], I'm just saying to myself, 'OK, I'll sing this line and then I need a voice singing this line.' I had in my head what sort of voice I wanted.
"I said to Nash, 'I don't know who owns the voice yet - I want someone who's not technically one of those nice singers. I want someone who sounds like they've smoked too many cigarettes.' It took me ages, like six months, of trying to figure out who owned this voice.
"I spoke to Shane [Nicholson], my husband, and he said, 'Look, you keep talking about this voice all the time - it's Tim Rogers.' "
Chambers had reservations - "There was a little part of me that was thinking, 'How's he going to be to work with in the studio? Is he going to be a bit crazy?' " - but all worked out well in the end.
"Tim's such an odd guy - which we all know - but I've always had such a soft spot for him.
"He came up to Nash's studio and was an absolute sweetheart. I just fell in love with him that day. He was just beautiful. We'd sit around and talk about our kids. We sort of hung out for the day as well and had a few beers and he was just really, really nice."
Chambers has also embraced a new take-charge attitude with her career. She took unprecedented interest in the artwork for Carnival, which shows her looking directly at the camera.
"With this one I sat down and said, 'I don't want to look like a lost little girl on the album cover because I'm not her any more. I'm not the same girl who was on the cover of the Captain album.'
"When I made The Captain, I was that lost little girl. I had no friggin' idea what the hell I was doing. I wanted this one to show that I am a wife and I am a mother and I am over 30."
She has hit 30 but the distinctive silver stud below her lip isn't going to disappear any time soon.
"When I was getting married [last year] I said to Shane, 'I think I might want to take that out because I don't know if I want that in my wedding photos.' So I took it out and I've got a big hole there, so I went, 'Oh, OK, it's better than a big hole.'
"I said to Shane, 'I don't know if I want to be one of those over-30 people with a piercing' - but apparently I am."